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In the catalog on those pages you’ll find media.archive sorted alphabetically. For a quick-search you can also use the LibraryThing-form in the sidebar which will give you instant search-results [this data is still being corrected!]. Otherwise you can use the Search-form on this page [in the upper right corner on this page] which will direct you to results which are more in-depth, prostate especially for the non-English volumes.

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_Miladin Životić____Contra bellum

[Beogradski krug / Akapit_1997]

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_Slavoj Žižek____The spectre is still roaming around! : an introduction to the 150th anniversary edition of The communist manifesto

[Arkzin_1998]

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_Slavoj Žižek____O vjerovanju

[Algoritam_2005]

Bez obzira na to smatrate li ga divom, order filozofom zabavljačem ili stimulativnim cinikom, cheap volite li ga čitati ili ne, biblioteka poput ove ne može se zamisliti bez Slavoja Žižeka. O vjeri je njegov tekst koji je 2001. nastao za Routledgeovu seriju Thinking in Action a najkonciznije bi ga se moglo opisati kao tour de force svih svjesnih i nesvjesnih oblika vjerovanja koja čine našu svakodnevicu. Žižek, dosljedan lakanovskoj optici, tvrdi kako su ona mnogo bliža religijskima nego što bismo htjeli priznati: da su sva naša on-line putovanja, naša potraga za instant duhovnošću, naša manija za self-help literaturom zapravo savršena ideološka dopuna kapitalizmu a nikako bijeg od njega; da sveudilj (i uzalud) ganjamo imaginarno nezadovoljni sobom odnosno svojom nepotpunošću. O vjerovanju je relativno čestita meditacija o tome da je u pozadini svih tih vjerskih iskustava zapravo posve beskorisna potraga za božanskim ili ljudskim savršenstvom. Žižekov zabavni diskurz postao je već notoran – primjenjujući svoje golemo znanje na primjere iz filma, politike, religije, kulture i subkulture, on će vas uzrujati ili opčiniti, ali vas neće ostaviti ravnodušnima. Biblioteka Facta predstavlja vam ga u maestralnom prijevodu Marine Miladinov, a naslovnu fotografiju potpisuje Marina Leskovar.
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_Slavoj Žižek____Kuga fantazem

[Društvo za teoretsko psihoanalizo_1997]

KAZALO

UVOD

I. SEDEM TANČIC FANTAZME
»Resnica je tam zunaj«
»Transcendentalni shematizem« fantazme
Fantazma med blagodejnostjo in zavistjo
Razpršene subjektne pozicije
Intersubjektivnost fantazme
Narativno zastrtje antagonizma
Nemogoči pogled
Po Padcu
Fantazma, želja in gon
Resnica želje, vednost fantazme
Zev fantazme
Prazna gesta
»Večno vračanja istega« v gonu

II. LJUBI SVOJEGA BLIŽNJEGA? NE, HVALA!
O fools in knaves
Nehistoričnost uživanja
Presežni užitek
Proti »banalnosti Zla«
Inherentna transgresija
Etnično čiščenje kot nadaljevanje poezije z drugimi sredstvi
Posilstvo v fantazmi
Desublimacija
Grdo
Etnično uživanje
»Prekoračiti fantazmo«

III. FETIŠIZEM IN NJEGOVE PREOBRAZBE
Gibljivi kipi, odrevenela telesa
Troppo fisso!
Nasilje interpretacije
Od religije do blagovnega univerzuma
Pofantomljenje fetiša
Fetiš med strukturo in humanizmom
Subjekt, za katerega se predpostavlja, da verjame
Kako lahko uživamo prek Drugega?
Interpasivnost
Interpasivni nadjaz
Spolna razlika
»Objektivno subjektivno«

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_Slavoj Žižek____Kako biti nihče

[Društvo za teoretsko psihoanalizo_2005]

KAZALO

Izberi si svojo votlino!
Kopernik, Darwin, Freud … in mnogi drugi
Novi znanosti o videzu nasproti
Odpori razčaranju
When the God Comes Around
Desublimirani objekt postideologije
Nevarnost? Kakšna nevarnost?
»Postavljanje predpostavk«
Hegel kognitivist?
Lažna neprozornost
Čustva lažejo ali kje se Damasio moti
Hegel, Marx, Dennett
Od fizike k načrtu?
Nezavedno dejanje svobode
Jezik zapeljevanja, zapeljevanje jezika
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_Slavoj Žižek____Repeating Lenin

[Arkzin_2001]

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_Slavoj Žižek____The Parallax View

[The MIT Press_2006]

The Parallax View is Slavoj Zizek’s most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the “parallax gap” separating two points between which no synthesis or mediation is possible, linked by an “impossible short circuit” of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.

Modes of parallax can be seen in different domains of today’s theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today’s brain sciences (according to which “nobody is home” in the skull, just stacks of brain meat–a condition Zizek calls “the unbearable lightness of being no one”); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics–including an ethical act in a novel by Henry James and anti-anti-Semitism.

The Parallax View not only expands Zizek’s Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
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_Slavoj Žižek/Friedrich Engels/Karl Marx____Komunistički manifest

[Arkzin_1998]

S predgovorom Slavoja Žižeka: Bauk još uvijek kruži!