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In the catalog on those pages you’ll find media.archive sorted alphabetically. For a quick-search you can also use the LibraryThing-form in the sidebar which will give you instant search-results [this data is still being corrected!]. Otherwise you can use the Search-form on this page [in the upper right corner on this page] which will direct you to results which are more in-depth, health especially for the non-English volumes.

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  1. _Joseph A. Tainter____Kolaps kompleksnih društava
  2. _Jacob Taubes____Der Preis des Messianismus
  3. _Charles Taylor____Prizivanje građanskog društva
  4. _Charles Taylor____A Secular Age
  5. _Charles Taylor____Bolest modernog doba
  6. _Dave Taylor/James C. Armstrong Jr.____Sams Teach Yourself Unix in 24 Hours
  7. _Kathleen Taylor____Ispiranje mozga
  8. _Technomorphia____Technomorphia
  9. _Dinko Telećan____Sloboda i vrijeme : (eleuterokronologika)
  10. _Jennifer Terry____An American Obsession : Science, Medicine, and Homosexuality in Modern Society
  11. _Eugene Thacker____The Global Genome : Biotechnology, Politics, and Culture
  12. _Eugene Thacker____Biomedia (Electronic Mediations, V. 11)
  13. _Paul Theberge____Any Sound You Can Imagine: Making Music/Consuming Technology
  14. _Klaus Theweleit____Deutschlandfilme – Filmdenken und Gewalt.
  15. _Harold Thimbleby____Press On: Principles of Interaction Programming
  16. _Emily Thompson____The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933
  17. _Henry David Thoreau____Walden
  18. _Charles Tilly____Buntovno stoljeće 1830.-1930.
  19. _Tiqqun____Theorie vom Bloom.
  20. _Grace Todino-Gonguet/John Strang/Jerry Peek____Learning the UNIX Operating System (In a Nutshell)
  21. _Marko Tokić____Hodati bosih nogu…
  22. _David Toop____Ocean of Sound
  23. _David Toop____Exotica
  24. _David Toop____Haunted Weather: Music, Silence, and Memory
  25. _Edward R. Tufte____Envisioning Information
  26. _Idis Turato/Saša Randić____In-Between
  27. _Jacques Turgot____Napredak i povijest
  28. _Sherry Turkle____Life on the Screen: Identity in the Age of the Internet
  29. _Graeme Turner____The Film Cultures Reader
  30. _William B. Turner____A Genealogy of Queer Theory

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_Joseph A. Tainter____Kolaps kompleksnih društava

[Jesenski & Turk_2007]

Kolaps kompleksnih društava suvremeni je klasik antropologije. Središnja autorova teza jest da se društva, kako povijesna tako i suvremena, koriste povećavanjem kompleksnosti kao strategijom održavanja i razvoja. No, djelovanjem zakona opadajućih prinosa, dobrobiti od kompleksnosti sve su manje. Za kompleksna društva, kolaps tada predstavlja racionalni, a ponekad i jedini mogući izlaz iz situacije u koju su se dovela. Tainter opisuje dvadesetak slučajeva kolapsa te daje pregled povijesti pokušaja njihova razumijevanja. Zatim razvija novu i dalekosežnu teoriju koja objašnjava kolaps veoma raznolikih društava, ispituje svoj model i pojašnjava procese raspadanja detaljnim studijama kolapsa Chacoanaca, Maja i Rimskog Carstva. Od djela će imati koristi arheolozi, socijalni antropolozi, klasični i ekonomski povjesničari, a bit će poticajno i mnogim drugim zainteresiranim čitateljima.

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_Jacob Taubes____Der Preis des Messianismus

[Königshausen & Neumann_2006]

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_Charles Taylor____Prizivanje građanskog društva

[Beogradski krug_2000]

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_Charles Taylor____A Secular Age

[Belknap Press_2007]

What does it mean to say that we live in a secular age? Almost everyone would agree that we–in the West, at least–largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean–of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others.
Taylor, long one of our most insightful thinkers on such questions, offers a historical perspective. He examines the development in “Western Christendom” of those aspects of modernity which we call secular. What he describes is in fact not a single, continuous transformation, but a series of new departures, in which earlier forms of religious life have been dissolved or destabilized and new ones have been created. As we see here, today’s secular world is characterized not by an absence of religion–although in some societies religious belief and practice have markedly declined–but rather by the continuing multiplication of new options, religious, spiritual, and anti-religious, which individuals and groups seize on in order to make sense of their lives and give shape to their spiritual aspirations.
What this means for the world–including the new forms of collective religious life it encourages, with their tendency to a mass mobilization that breeds violence–is what Charles Taylor grapples with, in a book as timely as it is timeless.

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_Charles Taylor____Bolest modernog doba

[Beogradski krug_2002]

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_Dave Taylor/James C. Armstrong Jr.____Sams Teach Yourself Unix in 24 Hours

[Sams_1998]

Sams Teach Yourself UNIX in 24 Hours, Second Edition is designed to take users from novice to accomplished user in just 24 one-hour sessions. Written by experts in the field, Sams Teach Yourself UNIX in 24 Hours, Second Edition starts off w
-Proven, successful format of Sams Teach Yourself in 24 Hours line guarantees UNIX competency in just 24 on-hour lessons
-Based upon feedback from customers, this edition will be more streamlined and focused on the needs of the target audience
-Complete and comprehensive tutorial to using UNIX and its tools. Covers all major versions of UNIX

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_Kathleen Taylor____Ispiranje mozga

[Algoritam_2006]

Iako izraz “ispiranje mozga” potječe iz pedesetih godina dvadesetog stoljeća, riječ je o mnogo starijem pojmu: o nasilnom mijenjanju osobnih uvjerenja. Tijekom posljednjih desetljeća termin se uvukao u popularnu kulturu, služio kao predmet viceva, plašio javnost u sredstvima priopćavanja i obilježio brojne pojedince i institucije. Kathleen Taylor, mlada britanska znanstvenica, sa svojom je prvom knjigom objavljenom potkraj 2004. godine odmah privukla pozornost javnosti i požnjela pohvale kritičara i struke.

Ovo je prva studija o tom mračnom i fascinantnom fenomenu koja uključuje i psihologiju i neuroznanost, a istovremeno ostaje vrlo pregledno, čitko i elegantno štivo. Uz brojne slučajeve iz naše neposredne okolice (mediji, reklame, marketing) ili bliske prošlosti (11. rujna ili suđenje Patty Hearst), kao i čuvene književne primjere poput 1984. ili Mandžurijskog kandidata uzbudljivo je slijediti priču koja se odvija na razini pojedinih, “pravih”, “živih” mozgova i pratiti što se zbiva na neurološkoj razini kada nasilnik pokušava promijeniti naša uvjerenja i slomiti našu volju, a što kada nas nečemu uče u školi, vjerskoj zajednici, uvjeravaju u političkoj stranci ili s televizijskog ekrana.

Doista majstorski tečan, prijevod nosi potpis Martine Čičin-Šain, a sugestivna naslovnica Marine Leskovar.
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_Technomorphia____Technomorphia

[Galgiani, Phillip_]

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_Dinko Telećan____Sloboda i vrijeme : (eleuterokronologika)

[Naklada Jesenski i Turk_2003]

Sažetak:
Vrijeme i sloboda temeljni su pojmovi na kojima se zasniva svako istinski filozofsko mišljenje. Nakana je ove knjige rasvijetliti njihov značaj unutar horizonta jedne moguće eleuterologike ili “znanosti” o slobodi. Nastala u jednom sasvim osebujnom filozofijski sabranom vremenu, ona je ujedno i eleuterokronologika, vremenom zauzdana i vremenom omogućena znanost. Knjiga Dinka Telećana filozofski je dnevnik koji govori o slobodnom mišljenju, slobodi kao “mogućnosti” i “nužnosti”, slobodi kao samoći i o bivanju slobodnim bićem koje tek kroz slobodu i zahvaljujući njoj uistinu može filozofirati.
Unatoč tome što su na tragu odnosa slobode i vremena Telećanovi sugovornici Aristotel, Kant, Hegel i Schelling, ova knjiga nije dijalog s misliocima prošlosti. Za razliku od filozofije kao akademskog “misaonog rada” svedenog na apsolutno-znanstveni pogon, ovaj dnevnik je filozofiranje koje kroz susret sa slobodom pokušava proizvesti sebe sama kao živu filozofiju. Fragmenti koji su sabrani u ovom nedovršenom i nužno nedovršivom djelu predstavljaju “putokaz k svjetlu” i ukazuju na činjenicu da je sloboda nužno početak i kraj svakog bavljenja filozofijom.
Ovi rasuti i fragmentarni zapisi svjedoče o “erotskom” (Platon) traganju za živim i neposrednim doživljajem slobode, za putovanjem na kojem mišljenje samo sebe oslobađa od vremenske nužnosti te je ujedno pomoć i koristan poticaj svima onima koji se na takvo putovanje odvaže. U tom smislu Telećanova Eleuterokronologika predstavlja istinski dodir sa živom filozofijom.
Tonči Valentić

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_Jennifer Terry____An American Obsession : Science, Medicine, and Homosexuality in Modern Society

[University Of Chicago Press_1999]

Drawing on original research from medical texts, psychiatric case histories, pioneering statistical surveys, first-person accounts, legal cases, sensationalist journalism, and legislative debates, Jennifer Terry has written a nuanced and textured history of how the century-old obsession with homosexuality is deeply tied to changing American anxieties about social and sexual order in the modern age.

Terry’s overarching argument is compelling: that homosexuality served as a marker of the “abnormal” against which malleable, tenuous, and often contradictory concepts of the “normal” were defined. One of the few histories to take into consideration homosexuality in both women and men, Terry’s work also stands out in its refusal to erase the agency of people classified as abnormal. She documents the myriad ways that gays, lesbians, and other sexual minorities have coauthored, resisted, and transformed the most powerful and authoritative modern truths about sex. Proposing this history as a “useable past,” An American Obsession is an indispensable contribution to the study of American cultural history.

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_Eugene Thacker____The Global Genome : Biotechnology, Politics, and Culture

[The MIT Press_2005]

In the age of global biotechnology, DNA can exist as biological material in a test tube, as a sequence in a computer database, and as economically valuable information in a patent. In The Global Genome, Eugene Thacker asks us to consider the relationship of these three entities and argues that — by their existence and their interrelationships — they are fundamentally redefining the notion of biological “life itself.”

Biological science and the biotech industry are increasingly organized at a global level, in large part because of the use of the Internet in exchanging biological data. International genome sequencing efforts, genomic databases, the development of World Intellectual Property policies, and the “borderless” business of biotech are all evidence of the global intersections of biology and informatics — of genetic codes and computer codes. Thacker points out the internal tension in the very concept of biotechnology: the products are more “tech” than “bio,” but the technology itself is fully biological, composed of the biomaterial labor of genes, proteins, cells, and tissues. Is biotechnology a technology at all, he asks, or is it a notion of “life itself” that is inseparable from its use in the biotech industry?

The three sections of the book cover the three primary activities of biotechnology today: the encoding of biological materials into digital form — as in bioinformatics and genomics; its recoding in various ways — including the “biocolonialism” of mapping genetically isolated ethnic populations and the newly pervasive concern over “biological security”; and its decoding back into biological materiality — as in tissue engineering and regenerative medicine. Thacker moves easily from science to philosophy to political economics, enlivening his account with ideas from such thinkers as Georges Bataille, Georges Canguilhem, Michel Foucault, Antonio Negri, and Paul Virilio. The “global genome,” says Thacker, makes it impossible to consider biotechnology without the context of globalism.
________________________________________________________________

_Eugene Thacker____Biomedia (Electronic Mediations, V. 11)

[University of Minnesota Press_2004]

As biotechnology defines the new millennium, genetic codes and computer codes increasingly merge—life understood as data, flesh rendered programmable. Where this trend will take us, and what it might mean, is what concerns Eugene Thacker in this timely book, a penetrating look into the intersection of molecular biology and computer science in our day and its likely ramifications for the future.
Integrating approaches from science and media studies, Biomedia is a critical analysis of research fields that explore relationships between biologies and technologies, between genetic and computer “codes.” In doing so, the book looks beyond the familiar examples of cloning, genetic engineering, and gene therapy—fields based on the centrality of DNA or genes—to emerging fields in which “life” is often understood as “information.” Focusing especially on interactions between genetic and computer codes, or between “life” and “information,” Thacker shows how each kind of “body” produced—from biochip to DNA computer—demonstrates how molecular biology and computer science are interwoven to provide unique means of understanding and controlling living matter.
Throughout, Thacker provides in-depth accounts of theoretical issues implicit in biotechnical artifacts—issues that arise in the fields of bioinformatics, proteomics, systems biology, and biocomputing. Research in biotechnology, Biomedia suggests, flouts our assumptions about the division between biological and technological systems. New ways of thinking about this division are needed if we are to understand the cultural, social, and philosophical dimensions of such research, and this book marks a significant advance in the coming intellectual revolution.

________________________________________________________________

_Paul Theberge____Any Sound You Can Imagine: Making Music/Consuming Technology

[Wesleyan University Press_1997]

Describes digital musical instruments, industries that supply and promote them, and the meanings they have for musicians.
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_Klaus Theweleit____Deutschlandfilme – Filmdenken und Gewalt.

[Stroemfeld Verlag_2003]

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_Harold Thimbleby____Press On: Principles of Interaction Programming

[The MIT Press_2007]

Interactive systems and devices, from mobile phones to office copiers, do not fulfill their potential for a wide variety of reasons–not all of them technical. Press On shows that we can design better interactive systems and devices if we draw on sound computer science principles. It uses state machines and graph theory as a powerful and insightful way to analyze and design better interfaces and examines specific designs and creative solutions to design problems. Programmers–who have the technical knowledge that designers and users often lack–can be more creative and more central to interaction design than we might think. Sound programming concepts improve device design.

Press On provides the insights, concepts and programming tools to improve usability. Knowing the computer science is fundamental, but Press On also shows how essential it is to have the right approaches to manage the design of systems that people use. Particularly for complex systems, the social, psychological and ethical concerns–the wider design issues–are crucial, and these are covered in depth.

Press On highlights key principles throughout the text and provides cross-topic linkages between chapters and suggestions for further reading. Additional material, including all the program code used in the book, is available on an interactive web site. Press On is an essential textbook and reference for computer science students, programmers, and anyone interested in the design of interactive technologies.
________________________________________________________________

_Emily Thompson____The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933

[The MIT Press_2002]

In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era.

Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston’s Symphony Hall, New York’s office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound–clear, direct, efficient, and nonreverberant–had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
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_Henry David Thoreau____Walden

[DAF_2006]

Henry David Thoreau bio je posljednji muški potomak francuskog pretka koji je došao u ovu zemlju s otoka Guernseyja. U njegovu značaju povremeno su se očitovale crte toga podrijetla, u jedinstvenu spoju s veoma snažnim saskim duhom.
Rođenje u Concordu, u Massachusettsu, dne 12. srpnja 1817. Diplomirao je na harvardskom koledžu, ali se u književnom smislu nije nimalo isticao. Ikonoborac u književnosti, rijetko je zahvaljivao školama na njihovim uslugama, slabo ih cijeneći, premda je njegov dug prema njima bio znatan. Napustivši sveučilište, pridružio se bratu u podučavanju u privatnoj školi, koju je ubrzo napustio. Njegov otac bio je proizvođač olovaka, i Henry se na neko vrijeme posvetio tom zanatu, vjerujući da može načiniti bolju olovku od onih koje su tada bile u uporabi. Okončavši eksperimente, pokazao je svoje djelo kemičarima i umjetnicima u Bostonu te se, dobivši od njih potvrde da je njegova kakvoća ravna najboljim londonskim proizvođačima, vratio zadovoljan kući. Prijatelji su mu čestitali što si je utro put k uspjehu. No on im je odvratio da više nikad neće napraviti nijednu olovku. “Zašto bih? Neću ponovno činiti ono što sam već učinio.” Nastavio je svoje beskrajne šetnje i raznovrsna proučavanja, svakoga dana se na neki nov način upoznajući s prirodom, premda dotad još nije govorio o zoologiji ili botanici, budući da ga, iako je revno izučavao prirodne činjenice, nisu zanimale tehnička i pisana znanost.

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_Charles Tilly____Buntovno stoljeće 1830.-1930.

[Naklada Jesenski i Turk_2002]

Cijena: 180,00 KN
Internet cijena: 108,00 KN

416 str.
meki uvez
21 cm

Godina izdanja: 2002

ISBN:

Sažetak: 
Dosljedno provokativna, do u detalje originalna u svojim metodama i zaključcima, ova knjiga propituje doslovno svaku pretpostavku o uvjetima kolektivnog nasilja. Pisana sa gledišta sociologije, historije i ekonomije, ova je studija komparativna analiza masovnih pokreta koji su vodili nasilju u Francuskoj, Italiji i Njemačkoj. U njoj se pokazuje kako su urbanizacija, industrijalizacija i koncentracija političke moći u ovim i drugim zapadnim zemljama utjecale na načine zajedničkog djelovanja ljudi oko vlastitih nedaća i težnji.
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_Tiqqun____Theorie vom Bloom.

[Diaphanes Verlag_2003]

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_Grace Todino-Gonguet/John Strang/Jerry Peek____Learning the UNIX Operating System (In a Nutshell)

[O'Reilly_1997]

Part basic primer, part reference guide, this slim volume will make your life with UNIX much simpler. This book is specifically designed for those who are new to UNIX and contains neither introductory-level condescension nor advanced-level gibberish. Well-indexed and clearly mapped, Learning the UNIX Operating System will show you how to use and manage files and get your e-mail as well as how to perform more advanced tasks, such as redirecting standard input/output and multitasking your processes. Those new to the UNIX world will appreciate its concise presentation, and those reasonably familiar with UNIX will learn many new shortcuts, tricks, and tools. –Jennifer Buckendorff
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_Marko Tokić____Hodati bosih nogu…

[Kulturni centar mladih_2001]

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_David Toop____Ocean of Sound

[Serpent's Tail_2001]

A member of a radical editorial collective on the cutting edge of British music criticism in the 1970s, later a critic for more standard papers, including the Times, David Toop’S second book covers a vast expanse of music. His tour-de-force survey describes a dissonant and invigorating clash of music and noise from western classical to Javanese gamelan, from Claude Debussy to Miles Davis to Brian Eno, from disco to techno to ambient. He discusses the changes in our sound world caused by the global reach of radio and recordings, and shows himself a rigorous pluralist, open to all styles and forms, but unafraid to offer robust criticism in any musical sphere.
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_David Toop____Exotica

[Serpent's Tail_1999]

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_David Toop____Haunted Weather: Music, Silence, and Memory

[Serpent's Tail_2004]

Is it possible to grow electronic sounds, as if they were plants in a garden? Why are childhood memories of sound and silence so important to our emotional development? Is it valid to classify audio recordings of wind or electrical hum as musical compositions? Why have the sounds of our environment become so important to sound artists and why is atmosphere so important in music? In Haunted Weather, David Toop asks these questions and gauges the impact of new technology on contemporary music’s sound.
David Toop is a highly regarded author, music critic and musician. Since 1995, he has released three solo albums, curated five compilation albums (including the soundtrack to Ocean of Sound). His books include Rap Attack 3, Ocean of Sound and Exotica.

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_Edward R. Tufte____Envisioning Information

[Graphics Press_1990]

A remarkable range of examples for the idea of visual thinking, with beautifully printed pages. A real treat for all who reason and learn by means of images. — Rudolf Arnheim
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_Idis Turato/Saša Randić____In-Between

[K.LJ.B._2006]

A book on the Croatian coast, global processes, an to live with them
________________________________________________________________

_Jacques Turgot____Napredak i povijest

[Politička kultura / Udruženje studenata filozofije Filozofskog fakulteta_2003]

________________________________________________________________

_Sherry Turkle____Life on the Screen: Identity in the Age of the Internet

[Simon & Schuster_1997]

Sherry Turkle is rapidly becoming the sociologist of the Internet, and that’s beginning to seem like a good thing. While her first outing, The Second Self: Computers and the Human Spirit, made groundless assertions and seemed to be carried along more by her affection for certain theories than by a careful look at our current situation, Life on the Screen is a balanced and nuanced look at some of the ways that cyberculture helps us comment upon real life (what the cybercrowd sometimes calls RL). Instead of giving in to any one theory on construction of identity, Turkle looks at the way various netizens have used the Internet, and especially MUDs (Multi-User Dimensions), to learn more about the possibilities available in apprehending the world. One of the most interesting sections deals with gender, a topic prone to rash and partisan pronouncements. Taking as her motto William James’s maxim “Philosophy is the art of imagining alternatives,” Turkle shows how playing with gender in cyberspace can shape a person’s real-life understanding of gender. Especially telling are the examples of the man who finds it easier to be assertive when playing a woman, because he believes male assertiveness is now frowned upon while female assertiveness is considered hip, and the woman who has the opposite response, believing that it is easier to be aggressive when she plays a male, because as a woman she would be considered “bitchy.” Without taking sides, Turkle points out how both have expanded their emotional range. Other topics, such as artificial life, receive an equally calm and sage response, and the first-person accounts from many Internet users provide compelling reading and good source material for readers to draw their own conclusions.
________________________________________________________________

_Graeme Turner____The Film Cultures Reader

[Routledge_2002]

The Film Cultures Reader brings together key writings on contemporary cinema, by leading authors in cinema and cultural studies, focusing on film as a social and cultural practice, and on the relationship between cinema and popular culture.The Reader is divided into six thematic sections, addressing: Understanding Film; Technology; Film Industries; Meanings and Pleasures; Identities; Audiences and Consumption. Contributors include: Tino Balio, Sabrina Barton, Tony Bennett, Jacqueline Bobo, Stella Bruzzi, Edward Buscombe, Carol Clover, Jim Collins, Tim Corrigan, Barbara Creed, Richard Dyer, Jane Feuer, Miriam Hansen, bell hooks, John Hill, Mark Jancovich, Susan Jeffords, Ros Jennings, Isaac Julien, Annette Kuhn, Tania Modleski, David Marshall, Judith Mayne, Kobena Mercer, Steve Neale, Tom O’Regan, Stephen Prince, Thomas Schatz, Ella Shohat, Gianluca Sergi, Jackie Stacey, Janet Staiger, Robert Stam, Chris Straayer, Yvonne Tasker, Stephen Teo, Justin Wyatt.

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_William B. Turner____A Genealogy of Queer Theory

[Temple University Press_2000]

Who are queers and what do they want? Could it be that we are all queers? Beginning with such questions, William B. Turner’s lucid and engaging book traces the roots of queer theory to the growing awareness that few of us precisely fit standard categories for sexual and gender identity.
Turner shows how Michel Foucault’s work contributed to feminists’ investigations into the ways that power relates to identity. In the last decades of the twentieth century, feminists were the first to challenge the assumption that a claim to universal identity—the white male citizen—should serve as the foundation of political thought and action. Difference matters. Race, ethnicity, class, gender, and sexuality interact, producing a wide array of identities that resist rigid definition and are mutable. By understanding the notion of transhistorical categories—woman, man, homosexual, and so forth—feminist and gay male scholars launched queer theoretical work as a new way to think about the politics of gender and sexuality.
A Genealogy of Queer Theory probes the fierce debates among scholars and activists, weighing the charges that queer readings of texts and identity politics do not constitute and might inhibit radical social change. Written by a historian, it considers the implications of queer theory for historical inquiry and the distinction between philosophy and history. As such, the book will interest readers of gay/lesbian/bisexual/transgender studies, intellectual history, political theory, and the history of gender/sexuality.