In the catalog on those pages you’ll find media.archive sorted alphabetically. For a quick-search you can also use the LibraryThing-form in the sidebar which will give you instant search-results [this data is still being corrected!]. Otherwise you can use the Search-form on this page [in the upper right corner on this page] which will direct you to results which are more in-depth, recipe especially for the non-English volumes.

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  1. _Annamarie Jagose____Queer Theory: An Introduction
  2. _Božidar Jakšić____Balkanski paradoksi
  3. _Ian James____The Fragmentary Demand: An Introduction to the Philosophy of Jean-Luc Nancy
  4. _Fredric Jameson____Archaeologies of the Future (Poetics of Social Forms)
  5. _Meike Jansen____Gendertronics
  6. _Karl Jaspers____Pitanje krivice
  7. _Martin Jay____Songs of Experience : Modern American and European Variations on a Universal Theme
  8. _Daniela Angelini Jelinčić____Culturelink: guide to the Culturelink network
  9. _Željko Jerman____Moja godina 1977
  10. _Hans Joas____Die Entstehung der Werte
  11. _Hans Joas____The Genesis of Values
  12. _Hans Joas____Kriege und Werte: Studien zur Gewaltgeschichte des 20. Jahrhunderts
  13. _George Johnson____Fire in the Mind: Science, Faith and the Search for Order
  14. _James H. Johnson____Listening in Paris: A Cultural History (Studies on the History of Society & Culture)
  15. _Stephen Johnson____Everything Bad Is Good for You
  16. _Steven Johnson____The Ghost Map
  17. _Steven Johnson____Interface Culture : How New Technology Transforms the Way We Create and Communicate
  18. _Adrian Johnston____Time Driven: Metapsychology and the Splitting of the Drive
  19. _Adrian Johnston____Žižek’s Ontology: A Transcendental Materialist Theory of Subjectivity
  20. _Amelia Jones____Body art
  21. _Amelia Jones____Body Art/Performing the Subject
  22. _Steve Jones____Virtual Culture : Identity and Communication in Cybersociety
  23. _Charles Jonscher____Wiredlife: Who Are We in the Digital Age?
  24. _David Joselit____Feedback: Television against Democracy
  25. _Branden W. Joseph____Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage
  26. _Krešimir Jurlin/Jaka Primorac/Nada Švob-Đokić____Kultura zaborava: industrijalizacija kulturnih djelatnosti


_Annamarie Jagose____Queer Theory: An Introduction

[New York University Press_1997]

Annamarie Jagose knows that queer theory did not spring full- blown from the head of any contemporary theorist. It is the outcome of many different influences and sources, including the homophile movement, gay liberation, and lesbian feminism. In pointing to the history of queer theory–a history that all too often is ignored or elided–Jagose performs a valuable service.–Henry Abelove, co-editor of The Lesbian and Gay Studies Reader
The political and academic appropriation of the term queer over the last several years has marked a shift in the study of sexuality from a focus on supposedly essential categories as gay and lesbian to more fluid or queer notions of sexual identity. Yet queer is a category still in the process of formation. In Queer Theory, Annamarie Jagose provides a clear and concise explanation of queer theory, tracing it as part of an intriguing history of same-sex love over the last century.
Blending insights from prominent theorists such as Judith Butler and David Halperin, Jagose argues that queer theory’s challenge is to create new ways of thinking, not only about fixed sexual identities such as heterosexual and homosexual, but also about other supposedly essential notions such as sexuality and gender and even man and woman.


_Božidar Jakšić____Balkanski paradoksi

[Beogradski krug_2000]


_Ian James____The Fragmentary Demand: An Introduction to the Philosophy of Jean-Luc Nancy

[Stanford University Press_2006]

This introduction to the philosophy of Jean-Luc Nancy gives an overview of his philosophical thought to date and situates it within the broader context of contemporary French and European thinking. The book examines Nancy’s philosophy in relation to five specific areas: his account of subjectivity; his understanding of space and spatiality; his thinking about the body and embodiment; his political thought; and his contribution to contemporary aesthetics. In each case it shows the way in which Nancy develops or moves beyond some of the key concerns associated with phenomenology, post-structuralism, and what could broadly be termed the “post-modern.”

_Fredric Jameson____Archaeologies of the Future (Poetics of Social Forms)


In an age of globalization characterized by the dizzying technologies of the First World, and the social disintegration of the Third, is the concept of utopia still meaningful?

Archaeologies of the Future, Jameson’s most substantial work since Postmodernism, Or, the Cultural Logic of Late Capitalism, investigates the development of this form since Thomas More, and interrogates the functions of utopian thinking in a post-Communist age.

The relationship between utopia and science fiction is explored through the representations of otherness—alien life and alien worlds—and a study of the works of Philip K. Dick, Ursula LeGuin, William Gibson, Brian Aldiss, Kim Stanley Robinson and more. Jameson’s essential essays, including “The Desire Called Utopia,” conclude with an examination of the opposing positions on utopia and an assessment of its political value today.Archaeologies of the Future is the third volume, after Postmodernism and A Singular Modernity, of Jameson’s project on the Poetics of Social Forms.

_Meike Jansen____Gendertronics

[Suhrkamp Verlag KG_2005]


_Karl Jaspers____Pitanje krivice

[Samizdat B92_1999]


_Martin Jay____Songs of Experience : Modern American and European Variations on a Universal Theme

[University of California Press_2005]

Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as “experience.” Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. Songs of Experience is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis–qualities that have made Martin Jay’s previous books so distinctive and so successful–Songs of Experience explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history.
As he explores the manifold contexts for understanding experience–epistemological, religious, aesthetic, political, and historical–Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of “experience” in modern cultures.



_Željko Jerman____Moja godina 1977

[Meandar / SCCA_1997]


_Hans Joas____Die Entstehung der Werte



_Hans Joas____The Genesis of Values

[University Of Chicago Press_2001]

Public and intellectual debates have long struggled with the concept of values and the difficulties of defining them. With The Genesis of Values, renowned theorist Hans Joas explores the nature of these difficulties in relation to some of the leading figures of twentieth-century philosophy and social theory: Friedrich Nietzsche, William James, Max Scheler, John Dewey, Georg Simmel, Charles Taylor, and Jürgen Habermas. Joas traces how these thinkers came to terms with the idea of values, and then extends beyond them with his own comprehensive theory. Values, Joas suggests, arise in experiences in self-formation and self-transcendence. Only by appreciating the creative nature of human action can we understand how our values arise.


_Hans Joas____Kriege und Werte: Studien zur Gewaltgeschichte des 20. Jahrhunderts

[Velbrück Wissenschaft_2000]


_George Johnson____Fire in the Mind: Science, Faith and the Search for Order

[Penguin Books Ltd_1997]

Concentrating on the Centre for the Study of Complex Systems in Los Alamos and the religious beliefs of surrounding communities, Journalist George Johnson explores the new science of complexity, which suggests the existence of a strong impulse towards order in nature, drawing parallels with the varied religious groups in the area and the source of the religious impulse in a need to deny chance and blind fate.

_James H. Johnson____Listening in Paris: A Cultural History (Studies on the History of Society & Culture)

[University of California Press_1996]

Beginning with the simple question, “Why did audiences grow silent?” Listening in Paris gives a spectator’s-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today.
Drawing from a wide range of sources–novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like–Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon’s musical authoritarianism, the bourgeoisie’s polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book’s theoretical edge will appeal to cultural and intellectual historians in many fields and periods.

_Stephen Johnson____Everything Bad Is Good for You

[Allen Lane_2005]

In his fourth book, Everything Bad Is Good for You, iconoclastic science writer Steven Johnson (who used himself as a test subject for the latest neurological technology in his last book, Mind Wide Open) takes on one of the most widely held preconceptions of the postmodern world–the belief that video games, television shows, and other forms of popular entertainment are detrimental to Americans’ cognitive and moral development. Everything Good builds a case to the contrary that is engaging, thorough, and ultimately convincing.
The heart of Johnson’s argument is something called the Sleeper Curve–a universe of popular entertainment that trends, intellectually speaking, ever upward, so that today’s pop-culture consumer has to do more “cognitive work”–making snap decisions and coming up with long-term strategies in role-playing video games, for example, or mastering new virtual environments on the Internet– than ever before. Johnson makes a compelling case that even today’s least nutritional TV junk food-the Joe Millionaires and Survivors so commonly derided as evidence of America’s cultural decline–is more complex and stimulating, in terms of plot complexity and the amount of external information viewers need to understand them, than the Love Boats and I Love Lucys that preceded it. When it comes to television, even (perhaps especially) crappy television, Johnson argues, “the content is less interesting than the cognitive work the show elicits from your mind.” 
Johnson’s work has been controversial, as befits a writer willing to challenge wisdom so conventional it has ossified into accepted truth. But even the most skeptical readers should be captivated by the intriguing questions Johnson raises, whether or not they choose to accept his answers. –Erica C. Barnett


_Steven Johnson____The Ghost Map

[Riverhead Hardcover_2006]

A thrilling historical account of the worst cholera outbreak in Victorian London-and a brilliant exploration of how Dr. John Snow’s solution revolutionized the way we think about disease, cities, science, and the modern world.

From the dynamic thinker routinely compared to Malcolm Gladwell, E. O. Wilson, and James Gleick, The Ghost Map is a riveting page-turner with a real-life historical hero that brilliantly illuminates the intertwined histories of the spread of viruses, rise of cities, and the nature of scientific inquiry. These are topics that have long obsessed Steven Johnson, and The Ghost Map is a true triumph of the kind of multidisciplinary thinking for which he’s become famous-a book that, like the work of Jared Diamond, presents both vivid history and a powerful and provocative explanation of what it means for the world we live in.

The Ghost Map takes place in the summer of 1854. A devastating cholera outbreak seizes London just as it is emerging as a modern city: more than 2 million people packed into a ten-mile circumference, a hub of travel and commerce, teeming with people from all over the world, continually pushing the limits of infrastructure that’s outdated as soon as it’s updated. Dr. John Snow-whose ideas about contagion had been dismissed by the scientific community-is spurred to intense action when the people in his neighborhood begin dying. With enthralling suspense, Johnson chronicles Snow’s day-by-day efforts, as he risks his own life to prove how the epidemic is being spread.

When he creates the map that traces the pattern of outbreak back to its source, Dr. Snow didn’t just solve the most pressing medical riddle of his time. He ultimately established a precedent for the way modern city-dwellers, city planners, physicians, and public officials think about the spread of disease and the development of the modern urban environment.

The Ghost Map is an endlessly compelling and utterly gripping account of that London summer of 1854, from the microbial level to the macrourban-theory level-including, most important, the human level.

_Steven Johnson____Interface Culture : How New Technology Transforms the Way We Create and Communicate

[Perseus Books Group_1999]

Steven Johnson turns the tables on the way we consider our computer interfaces. While many discussions focus on how interfaces help us work by adapting to our ways of thinking and our real-world metaphors, Johnson jumps from there to look at how our thinking and world view are altered by our computer interfaces.
He begins with the simple: The mouse improved the spatial nature of our computers by letting us move, by the proxy of our pointers, within the screen. The windows metaphor made cyberspace a 3-D space. And while we tend to think about the graphical nature of interfaces, Johnson also explores the textual side and how it has changed the way we work with the written word.
Interface Culture then goes on to show how, with each advance in technology, the interface shapes our perceptions in new ways. Where mice and windows turned the computing world into cyberspace, agents have created a perception of software as personality. On the larger scale, Johnson sees these tools, originally built on noncyber metaphors, as creating, in their turn, a new set of metaphors for looking at the rest of the world. And while he finds it exciting, he spends considerable time on such shortcomings in our approach to interfacing: what he considers the excessive emphasis on graphics elements at the cost of anything textual. Johnson, who is the editor of the cerebral Feed Web site and whom Newsweek called one of the most influential people in cyberspace, has written an intelligent book about interface design, its relationship to the real world, and how it affects our perception of worlds both cyber and physical.


_Adrian Johnston____Time Driven: Metapsychology and the Splitting of the Drive

[Northwestern University Press_2005]

Elaborating the fundamental concept of Trieb, or drive, Freud outlines two basic types of conflict that at once disturb and organize mental life: the conflict between drives and reality; and the conflict between the drives themselves (as in amorous Eros against the aggressive death drive). In Time Driven, Adrian Johnston identifies a third distinct type of conflict overlooked by Freud: the conflict embedded within each and every drive. By bringing this critical type of conflict to light and explaining its sobering consequences for an understanding of the psyche, Johnston’s book makes an essential theoretical contribution to Continental philosophy. His work offers a philosophical interpretation and reassessment of psychoanalysis that places it in relationship to the larger stream of ideas forming our world and, at the same time, clarifies its original contribution to our understanding of the human situation.
Johnston draws on Jacques Lacan’s oeuvre in conjunction with certain philosophical resources-elements from transcendental philosophy, structuralism, and phenomenology-to rectify the inconsistencies within the Freudian metapsychological model of drive. In doing so, he helps to answer a question haunting Freud at the end of his career: Why is humanity plagued by a perpetual margin of discontent, despite technological and cultural progress?
In Time Driven, Johnston is able to make sense of Freud’s metapsychology both as a whole and in its historical development of Lacan’s reinterpretation of Freud, and of the place of both Freud and Lacan in modern philosophy.


_Adrian Johnston____Žižek’s Ontology: A Transcendental Materialist Theory of Subjectivity

[Northwestern University Press_2008]

Slavoj Žižek is one of the most interesting and important philosophers working today, known chiefly for his theoretical explorations of popular culture and contemporary politics. This book focuses on the generally neglected and often overshadowed philosophical core of Žižek’s work—an essential component in any true appreciation of this unique thinker’s accomplishment.

His central concern, Žižek has proclaimed, is to use psychoanalysis (especially the teachings of Jacques Lacan) to redeploy the insights of late-modern German philosophy, in particular, the thought of Kant, Schelling, and Hegel. By taking this avowal seriously, Adrian Johnston finally clarifies the philosophical project underlying Žižek’s efforts. His book charts the interlinked ontology and theory of subjectivity constructed by Žižek at the intersection of German idealism and Lacanian theory. Johnston also uses Žižek’s combination of philosophy and psychoanalysis to address two perennial philosophical problems: the relationship of mind and body, and the nature of human freedom. By bringing together the past two centuries of European philosophy, psychoanalytic metapsychology, and cutting-edge work in the natural sciences, Johnston develops a transcendental materialist theory of subjectivity—in short, an account of how more-than-material forms of subjectivity can emerge from a corporeal being. His work shows how an engagement with Žižek’s philosophy can produce compelling answers to today’s most vexing and urgent questions as inherited from the history of ideas.


_Amelia Jones____Body art

[Maska / Študentska založba_2002]


_Amelia Jones____Body Art/Performing the Subject

[University of Minnesota Press_1998]


_Steve Jones____Virtual Culture : Identity and Communication in Cybersociety

[Sage Publications Ltd_1997]

Not long after William Gibson hit the charts with his cyberpunk fiction, especially the groundbreaking (or Web-busting) Neuromancer, discussions were buzzing with ideas about how technology affects our culture and our beliefs. The essays that Steven Jones has collected explore cybersociety, online cultures, and their relationship not only to one another but also to traditional societies. The experiences of typically marginalized cultures–”cyberhate,” Third World representation, gay identity in cyberspace, and punishment of “virtual offenders”–are also explored, as in Ananda Mitra’s essay, “Virtual Commonality: Looking for India on the Internet.” Virtual Culture is a cutting-edge book that addresses the effects and defects of discourse and community on the Web.

_Charles Jonscher____Wiredlife: Who Are We in the Digital Age?

[Anchor Books_2000]

While acknowledging the successes of information technology (IT), this book demystifies the more extravagant claims, putting into perspective the degree to which IT can transform society. It relates how the computerized era has unfolded and what its implications are in certain areas.

_David Joselit____Feedback: Television against Democracy

[The MIT Press_2007]

American television embodies a paradox: it is a privately owned and operated public communications network that most citizens are unable to participate in except as passive specators. Television creates an image of community while preventing the formation of actual social ties because behind its simulated exchange of opinions lies a highly centralized corporate structure that is profoundly antidemocratic. In Feedback, David Joselit describes the privatized public sphere of television and recounts the tactics developed by artists and media activists in the 1960s and 1970s to break open its closed circuit.

The figures whose work Joselit examines–among them Nam June Paik, Dan Graham, Joan Jonas, Abbie Hoffman, Andy Warhol, and Melvin Van Peebles–staged political interventions within the space of television. Joselit identifies three kinds of such image-events: feedback, which can be both disabling noise and rational response–as when Abbie Hoffman hijacked television time for the Yippies with flamboyant stunts directed to the media; the image-virus, which proliferates parasitically, invading, transforming, and even blocking systems–as in Nam June Paik’s synthesized videotapes and installations; and the avatar, a quasi-fictional form of identity available to anyone, which can function as a political actor–as in Melvin Van Peebles’s invention of Sweet Sweetback, an African-American hero who appealed to a broad audience and influenced styles of Black Power activism. These strategies, writes Joselit, remain valuable today in a world where the overlapping information circuits of television and the Internet offer different opportunities for democratic participation.

In Feedback, Joselit analyzes such midcentury image-events using the procedures and categories of art history. The trope of figure/ground reversal, for instance, is used to assess acts of representation in a variety of media–including the medium of politics. In a televisual world, Joselit argues, where democracy is conducted through images, art history has the capacity to become a political science.

_Branden W. Joseph____Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage

[Zone Books_2008]

Tony Conrad has significantly influenced cultural developments from minimalism to underground film, “concept art,” postmodern appropriation, and the most sophisticated rock and roll. Creator of the “structural” film, The Flicker, collaborator on Jack Smith’s Flaming Creatures and Normal Love, follower of Henry Flynt’s radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has eluded canonic histories. Yet Beyond the Dream Syndicate does not claim Conrad as a major but under-recognized figure. Neither monograph nor social history, the book takes Conrad’s collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Such an approach simultaneously illuminates and estranges current understandings of the period, redrawing the map across medium and stylistic boundaries to reveal a constitutive hybridization at the base of the decade’s artistic development.

This exploration of Conrad and his milieu goes beyond the presentation of a relatively overlooked oeuvre to chart multiple, contestatory regimes of power simultaneously in play during the pivotal moment of the 1960s. From the sovereign authority invoked by Young’s music, to the “paranoiac” politics of Flynt, to the immanent control modeled by Conrad’s films, each avant-garde project examined reveals an investment within a particular structure of power and resistance, providing a glimpse into the diversity of the artistic and political stakes that continue to define our time.

_Krešimir Jurlin/Jaka Primorac/Nada Švob-Đokić____Kultura zaborava: industrijalizacija kulturnih djelatnosti

[Jesenski & Turk_2008]