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In the catalog on those pages you’ll find media.archive sorted alphabetically. For a quick-search you can also use the LibraryThing-form in the sidebar which will give you instant search-results [this data is still being corrected!]. Otherwise you can use the Search-form on this page [in the upper right corner on this page] which will direct you to results which are more in-depth, viagra order especially for the non-English volumes.

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  1. _Robert Eaglestone____Postmodernizam i poricanje holokausta
  2. _Terry Eagleton____Teorija i nakon nje
  3. _Keller Easterling____Enduring Innocence : Global Architecture and Its Political Masquerades
  4. _Michael Edwards/David Hulme____Beyond the Magic Bullet: NGO Performance and Accountability in the Post-Cold War World
  5. _Atom Egoyan/Ian Balfour____Subtitles: On the Foreignness of Film (Alphabet City)
  6. _John Eidinow/David Edmonds____Wittgensteinov žarač
  7. _Robert Eikmeyer____Adolf Hitler: Reden Zur Kunst Und Kulturpolitik 1933-1939
  8. _Danielle Eleb____Figures du destin : Aristote, Freud et Lacan ou la rencontre du réel
  9. _Thomas Elsaesser____Terror und Trauma. Zur Gewalt des Vergangenen in der BRD
  10. _Friedrich Engels/Karl Marx____Manifest komunističke partije
  11. _Critical art ensemble____Digitalni partizani
  12. _Critical art ensemble____Elektronska državljanska nepokorščina
  13. _Filip Erceg____Krvav povoj rane
  14. _Aleš Erjavec/Boris Groys____Postmodernism and the Postsocialist Condition : Politicized Art under Late Socialism
  15. _Schuyler Erle/Rich Gibson/Jo Walsh____Mapping Hacks: Tips & Tools for Electronic Cartography (Hacks)
  16. _Wolfgang Ernst____Das Rumoren der Archive
  17. _Roberto Esposito____Immunitas: Protezione E Negazione Della Vita
  18. _Roberto Esposito____Bios: Biopolitics and Philosophy
  19. _Roberto Esposito____Communitas
  20. _Roberto Esposito____Immunitas
  21. _Roberto Esposito____Bíos : biopolitica e filosofia
  22. _Roberto Esposito____Terza persona: Politica della vita e filosofia dell’impersonale
  23. _Roberto Esposito____Communitas: Origine e destino della comunità
  24. _Charles Ess____Philosophical Perspectives on Computer-Mediated Communication
  25. _Clarissa Pinkola Estes____Žene koje trče s vukovima – mitovi i priče o arhetipu divlje žene
  26. _Bracha Ettinger____The Matrixial Borderspace
  27. _Council of Europe____Transitions of Youth Citizenship in Europe: Culture, Subculture and Identity
  28. _David S. Evans/Andrei Hagiu/Richard Schmalensee____Invisible Engines: How Software Platforms Drive Innovation and Transform Industries
  29. _Aden Evens____Sound Ideas: Music, Machines, and Experience (Theory Out Of Bounds)

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_Robert Eaglestone____Postmodernizam i poricanje holokausta

[Naklada Jesenski i Turk_2001]

Sažetak: 
Eaglestoneova knjiga tvrdi kako su pitanja koja postmodernizam postavlja historiji i historičarima, order u biti, prescription snažna oružja za borbu protiv osporavatelja holokausta. Jasno i bez opterećujećeg žargona, autor ispituje sljedeće: 
Što je historija? Kako historija uspostavlja zahtjev za objektivnošću i cjelovitošću? 
To su pitanja koja brane reakciju postmodernizma na poricanje holokausta.
Robert Eaglestone predaje engleski jezik na Royal Holloway, Sveučilište London. Područje njegova interesa su suvremena europska filozofija i književnost.
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_Terry Eagleton____Teorija i nakon nje

[Algoritam_2005]

Terry Eagleton jedan je od najcjenjenijih teoretičara književnosti na svijetu, a u svojoj domovini Velikoj Britaniji, kaže Guardian, već je “pomalo u opasnosti da postane nacionalna institucija”. Njegova znamenita Književna teorija iz 1983. nadahnula je čitav naraštaj i osigurala mu mjesto među vodećim misliocima ljevice, ne samo inzistiranjem na tome da se književno djelo ne može analizirati izvan socijalnog konteksta svojeg vremena, nego i njegovom sklonošću buntovništvu i preispitivanju zadanih autoriteta. U svojoj posljednjoj knjizi Teorija i nakon nje, Eagleton razvija svoje stare neomarksističke ideje u novom svjetlu – raspravljajući, među ostalim, o stanju u kojem se postmodernizam danas nalazi, (“mrtav je, ubio ga je globalni kapitalizam”), o temama koje su obilježile stvaralaštvo velikih mislilaca poput Barthesa, Kristeve, Foucaulta i Lacana ili o granicama između “visoke” i “niske” teorije. Teorija kulture danas se mora nositi s činjenicom da se “staromodno buržujsko društvo raspalo u golem broj “subkultura”, da studenti “tiho mrmore po knjižnicama izučavajući seriju Prijatelji, različite načine ispijanja viskija, vampirizam ili fenomenologiju cjelodnevnog ležanja u krevetu” – a to su tek neki od izazova s kojima se mora suočiti. Umjesto prešućivanja ljubavi, zla, smrti, morala, revolucije i religije, kao i umjesto bastardizacije, traži se hrabro, svježe, interdisciplinarno razmišljanje za tumačenje velikih priča koje se zbivaju oko nas. Kombinacija Eagletonova zdravog razuma, jasnoće, teorijske dosljednosti i sposobnosti da se kritički suoči s “velikim metafizičkim pitanjima” (Žižek) oduševila je elitne svjetske intelektualce. Domaćima je nudimo u prijevodu Darka Polšeka i uz naslovnicu Marine Leskovar.

Terry Eagleton je profesor teorije kulture na manchesterskom sveučilištu, a njegova slavna Književna teorija do sada je u Velikoj Britaniji prodana u više od milijun primjeraka i prevedena na desetak jezika. Napisao je i trilogiju o irskoj kulturi, nekoliko drama i scenarij za film o Wittgensteinu, a svoju autobiografiju The Gatekeeper iz 2002. zove A memoir i tvrdi da su životopisi žanr koji ukalupljuje. After Theory je njegovo posljednje djelo iz 2004.
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_Keller Easterling____Enduring Innocence : Global Architecture and Its Political Masquerades

[The MIT Press_2005]

In Enduring Innocence, Keller Easterling tells the stories of outlaw “spatial products” — resorts, information technology campuses, retail chains, golf courses, ports, and other hybrid spaces that exist outside normal constituencies and jurisdictions — in difficult political situations around the world. These spaces — familiar commercial formulas of retail, business, and trade — aspire to be worlds unto themselves, self-reflexive and innocent of politics. But as Easterling shows, in reality these enclaves can become political pawns and objects of contention. Jurisdictionally ambiguous, they are imbued with myths, desires, and symbolic capital. Their hilarious and dangerous masquerades often mix quite easily with the cunning of political platforms. Easterling argues that the study of such “real estate cocktails” provides vivid evidence of the market’s weakness, resilience, or violence.

Enduring Innocence collects six stories of spatial products and their political predicaments: cruise ship tourism in North Korea; high-tech agricultural formations in Spain (which have reignited labor wars and piracy in the Mediterranean); hyperbolic forms of sovereignty in commercial and spiritual organizations shared by gurus and golf celebrities; automated global ports; microwave urbanism in South Asian IT enclaves; and a global industry of building demolition that suggests urban warfare. These regimes of nonnational sovereignty, writes Easterling, “move around the world like weather fronts”; she focuses not on their blending — their global connectivity — but on their segregation and the cultural collisions that ensue.

Enduring Innocence resists the dream of one globally legible world found in many architectural discourses on globalization. Instead, Easterling’s consideration of these segregated worlds provides new tools for practitioners sensitive to the political composition of urban landscapes.
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_Michael Edwards/David Hulme____Beyond the Magic Bullet: NGO Performance and Accountability in the Post-Cold War World

[Kumarian Press_1996]

In this volume, experts review the issues of NGO performance and accountability in international development assistance and provide guidance regarding the process of assessment. Case studies written by individuals who have been intimately involved in NGO activities in Central America, Asia, South America, East Africa, and North Africa ground this discussion in the realities and complexities of international development.
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_Atom Egoyan/Ian Balfour____Subtitles: On the Foreignness of Film (Alphabet City)

[The MIT Press_2004]

“Every film is a foreign film,” Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film — which, as Egoyan says, makes us “feel outside and inside at the same time”? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film.

The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks’s novel The Sweet Hereafter as subtitles for publicity stills from Egoyan’s film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn’s reading of the running subtitles on CNN’s post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the “foreign film” category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages — “Somehow, I’d like to think it’s harder to kill people when you hear their voices,” she writes. And Slavoj Zizek considers the “foreign gaze” (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much.

Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. Subtitles gives us not only a new way to think about film but also a singular design object.

Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council.
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_John Eidinow/David Edmonds____Wittgensteinov žarač

[Algoritam_2004]

Ova nas iznimna pripovijest vodi u prohladnu, maglovitu listopadsku večer u King’s College u Cambridgeu, u Engleskoj 1946. godine, gdje još posvuda vlada poratna oskudica. Na redovitom sastanku sveučilišnog kluba (The Moral Sciences Club) najavljeno je predavanje dr. Karla Poppera „Postoje li filozofski problemi?“, a među tridesetak slušača bili su i Ludwig Wittgenstein, profesor na Trinity Collegeu, i slavni, već ostarjeli, lord Bertrand Russel. 
Bučan i agresivan sukob koji je između Wittgensteina i Poppera izbio već nakon desetak minuta Popperova izlaganja, uzroci njihova načelna neslaganja kao i njihove uzajamne antipatije, te ponajviše prošlost koji su najvećim dijelom dijelili čine ovu knjigu doista neodoljivom kombinacijom povijesti, filozofije i životopisa. Osobito zanimljivom čine je opis Russelove uloge u njihovim karijerama, upravo nevjerojatna količina glasina koja se isprela oko tog kratkog događaja (Times Litterary Supplement objavio je prepisku sudionika, na temelju koje je i nastala ova knjiga) kao i činjenica da se gotovo niti jedan očevidac nije mogao složiti s drugima u svojem svjedočenju. Kao povijesna scenografija poslužio je, uz pomalo ekscentrični Cambridge, no ponajviše Beč u doba fin-de-siècle, njihov zajednički rodni grad i burni događaji koji su ondje oblikovali ne samo njihove sudbine i povijest ideja nego i povijest čitavog svijeta.
Ovu šarmantnu intelektualnu detektivsku bajku predstavljamo vam u prijevodu Martine Čičin-Šain, a fotografiju na naslovnici potpisuje Morana Zubak.
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_Robert Eikmeyer____Adolf Hitler: Reden Zur Kunst Und Kulturpolitik 1933-1939

[Revolver_2005]

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_Danielle Eleb____Figures du destin : Aristote, Freud et Lacan ou la rencontre du réel

[Erès_2004]

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_Thomas Elsaesser____Terror und Trauma. Zur Gewalt des Vergangenen in der BRD

[Kulturverlag Kadmos_2007]

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_Friedrich Engels/Karl Marx____Manifest komunističke partije

[_]

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_Critical art ensemble____Digitalni partizani

[Centar za savremenu umetnost_2000]

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_Critical art ensemble____Elektronska državljanska nepokorščina

[Založba /*cf._1999]

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_Filip Erceg____Krvav povoj rane

[Zaklada August Cesarec_2006]

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_Aleš Erjavec/Boris Groys____Postmodernism and the Postsocialist Condition : Politicized Art under Late Socialism

[University of California Press_2003]

The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path; the world was witnessing political and social transformations without precedent. Artists, seeing it all firsthand, responded with a revolution of their own. What form this revolution took–how artists in the 1980s marked their societies’ traumatic transition from decaying socialism to an insecure future–emerges in this remarkable volume. With in-depth perspectives on art and artists in the former Soviet Union, the Balkans and Mitteleuropa, China, and Cuba–all from scholars and art critics who were players in the tumultuous cultural landscapes they describe–this stunningly illustrated collection captures a singular period in the history of world art, and a critical moment in the cultural and political transition from the last century to our own.
Authors Ales Erjavec, Gao Minglu, Boris Groys, Péter György, Gerardo Mosquera, and Misko Suvakovic observe distinct national differences in artistic responses to the social and political challenges of the time. But their essays also reveal a clear pattern in the ways in which artists registered the exhaustion of the socialist vision and absorbed the influence of art movements such as constructivism, pop art, and conceptual art, as well as the provocations of western pop culture. Indebted to but not derived from capitalist postmodernism, the result was a unique version of postsocialist postmodernism, an artistic/political innovation clearly identified and illustrated for the first time in these pages.
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_Schuyler Erle/Rich Gibson/Jo Walsh____Mapping Hacks: Tips & Tools for Electronic Cartography (Hacks)

[O'Reilly Media, Inc._2005]

Since the dawn of creation, man has designed maps to help identify the space that we occupy. From Lewis and Clark’s pencil-sketched maps of mountain trails to Jacques Cousteau’s sophisticated charts of the ocean floor, creating maps of the utmost precision has been a constant pursuit. So why should things change now? Well, they shouldn’t. The reality is that map creation, or “cartography,” has only improved in its ease-of-use over time. In fact, with the recent explosion of inexpensive computing and the growing availability of public mapping data, mapmaking today extends all the way to the ordinary PC user. Mapping Hacks, the latest page-turner from O’Reilly Press, tackles this notion head on. It’s a collection of one hundred simple–and mostly free–techniques available to developers and power users who want draw digital maps or otherwise visualize geographic data. Authors Schuyler Erle, Rich Gibson, and Jo Walsh do more than just illuminate the basic concepts of location and cartography, they walk you through the process one step at a time. Mapping Hacks shows you where to find the best sources of geographic data, and then how to integrate that data into your own map. But that’s just an appetizer. This comprehensive resource also shows you how to interpret and manipulate unwieldy cartography data, as well as how to incorporate personal photo galleries into your maps. It even provides practical uses for GPS (Global Positioning System) devices–those touch-of-a-button street maps integrated into cars and mobile phones. Just imagine: If Captain Kidd had this technology, we’d all know where to find his buried treasure! With all of these industrial-strength tips and tools, Mapping Hacks effectively takes the sting out of the digital mapmaking and navigational process. Now you can create your own maps for business, pleasure, or entertainment–without ever having to sharpen a single pencil.
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_Wolfgang Ernst____Das Rumoren der Archive

[Merve Verlag GmbH_2002]

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_Roberto Esposito____Immunitas: Protezione E Negazione Della Vita

[Einaudi_2002]

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_Roberto Esposito____Bios: Biopolitics and Philosophy

[Univ Of Minnesota Press_2008]

Roberto Esposito is one of the most prolific and important exponents of contemporary Italian political theory. Bíos-his first book to be translated into English-builds on two decades of highly regarded thought, including his thesis that the modern individual-with all of its civil and political rights as well as its moral powers-is an attempt to attain immunity from the contagion of the extraindividual, namely, the community.

In Bíos, Esposito applies such a paradigm of immunization to the analysis of the radical transformation of the political into biopolitics. Bíos discusses the origins and meanings of biopolitical discourse, demonstrates why none of the categories of modern political thought is useful for completely grasping the essence of biopolitics, and reconstructs the negative biopolitical core of Nazism. Esposito suggests that the best contemporary response to the current deadly version of biopolitics is to understand what could make up the elements of a positive biopolitics-a politics of life rather than a politics of mastery and negation of life.

In his introduction, Timothy Campbell situates Esposito’s arguments within American and European thinking on biopolitics. A comprehensive, illuminating, and highly original treatment of a critically important topic, Bíos introduces an English-reading public to a philosophy that will critically impact such wide-ranging current debates as stem cell research, euthanasia, and the war on terrorism.

Roberto Esposito teaches contemporary philosophy at the Italian Institute for the Human Sciences in Naples. His books include Categorie dell impolitico, Nove pensieri sulla politica, Communitas: orgine e destino della comunità, and Immunitas: protezione e negazione della vita.

Timothy Campbell is associate professor of Italian studies in the Department of Romance Studies at Cornell University and the author of Wireless Writing in the Age of Marconi (Minnesota, 2006).

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_Roberto Esposito____Communitas

[Diaphanes Verlag_2005]

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_Roberto Esposito____Immunitas

[Diaphanes Verlag_2005]

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_Roberto Esposito____Bíos : biopolitica e filosofia

[Einaudi_2004]

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_Roberto Esposito____Terza persona: Politica della vita e filosofia dell’impersonale

[Einaudi_2007]

Mai come oggi la nozione di persona costituisce il riferimento imprescindibile di tutti i discorsi – filosofici, etici, politici – volti a rivendicare il valore della vita umana in quanto tale. È cosi nell’ambito della bioetica, dove cattolici e laici, pur in contrasto sulla sua genesi e la sua definizione, convergono sulla valenza decisiva dell’elemento personale: solo in base ad esso, la vita umana è considerata intangibile. Ed è cosi sul piano giuridico, lungo un percorso che lega sempre più strettamente il godimento dei diritti soggettivi alla qualifica di persona: questa appare l’unica in grado di riempire lo scarto tra uomo e cittadino, diritto e vita, anima e corpo, aperto fin dalle origini della nostra tradizione. La tesi radicale e inquietante di questo saggio è che la nozione di persona non sia in grado di ricomporre tale scarto perché è proprio essa a produrlo. Più che un semplice concetto, quello di persona è un dispositivo di lunghissimo periodo il cui effetto primario è la separazione, all’interno del genere umano e anche del singolo uomo, tra una zona razionale e volontaria fornita di particolare valore e un’altra, immediatamente biologica, spinta dalla prima verso la dimensione inferiore dell’animale o della cosa.
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_Roberto Esposito____Communitas: Origine e destino della comunità

[Einaudi_1998]

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_Charles Ess____Philosophical Perspectives on Computer-Mediated Communication

[State University of New York Press_1996]

The rush to the Information Superhighway and the transition to an Information Age have enormous political, ethical, and religious consequences. The essays collected here develop both interdisciplinary and international perspectives on privacy, critical thinking and literacy, democratization, gender, religion, and the very nature of the revolution promised in cyberspace. These essays are essential reading for anyone who wants to better understand and reflect upon these events and issues.
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_Clarissa Pinkola Estes____Žene koje trče s vukovima – mitovi i priče o arhetipu divlje žene

[Algoritam_2005]

U svakoj je ženi, bez obzira na dob, kulturnu pripadnost i obrazovanje, moćna intuitivna snaga, ispunjena strašću, stvaralaštvom i bezvremenskim znanjem o životu. C. P. Estés, poznata znanstvenica i jungovska psihoanalitičarka u ovoj nam izuzetnoj knjizi koja dvije godine nije silazila s NYT liste bestsellera, predstavlja nju, Divlju Ženu, koja čini samu bit ženine instinktivne prirode. Ona se i danas bori za opstanak jer nas društvo svojim nastojanjima da nas “civilizira” i ukalupi u različite krute uloge, od nje otuđuje i zamagljuje duboke, životodajne poruke iz naših duša. U ovoj snažnoj, strasnoj knjizi autorica nas vraća starim, interkulturalnim, arhetipskim pričama poput one o Modrobradome, Vasilisi Premudroj, Zlatokosi, o Djevojčici sa šibicama, ili predivnoj afričkoj o Manaweeju – kako bismo kroz njih proniknule naše vlastito ljekovito Divlje Ženstvo, neizmjerno mudro i bogato, te kako bismo svladale sva poglavlja pred koja nas život stavlja: ulazak u svijet žena, jedinstvo s Mužjakom, osamljenost i traganje, osjećaj otpadništva, prijateljstvo s vlastitim tijelom, preživljavanje, bijes i praštanje, seksualnost, sklad s vlastitim unutarnjim bićem, njegovanje stvaralačkoga života, … U nadahnutom prijevodu Lare Hölbling Matković ova se knjiga, iako je pravi leksikon ženske psihologije, doslovce čita nadušak, kao pjesma.
________________________________________________________________

_Bracha Ettinger____The Matrixial Borderspace

[Univ Of Minnesota Press_2006]

Artist, psychoanalyst, and feminist theorist Bracha Ettinger presents an original theoretical exploration of shared affect and emergent expression, across the thresholds of identity and memory. Ettinger works through Lacan’s late works, the anti-Oedipal perspectives of Deleuze and Guattari, as well as object-relations theory to critique the phallocentrism of mainstream Lacanian theory and to rethink the masculine-feminine opposition. She replaces the phallic structure with a dimension of emergence, where objects, images, and meanings are glimpsed in their incipiency, before they are differentiated. This is the matrixial realm, a shareable, psychic dimension that underlies the individual unconscious and experience.

Concerned with collective trauma and memory, Ettinger’s own experience as an Israeli living with the memory of the Holocaust is a deep source of inspiration for her paintings, several of which are reproduced in the book. The paintings, like the essays, replay the relation between the visible and invisible, the sayable and ineffable; the gaze, the subject, and the other.

Bracha Ettinger is a painter and a senior clinical psychologist. She is professor of psychoanalysis and aesthetics at the University of Leeds, England, and Bezalel Academy, Jerusalem.

Judith Butler is professor of rhetoric and comparative literature at the University of California, Berkeley. Griselda Pollock is professor of fine arts at the University of Leeds. Brian Massumi is professor of communication at the University of Montreal.

________________________________________________________________

_Council of Europe____Transitions of Youth Citizenship in Europe: Culture, Subculture and Identity

[Council of Europe_2001]

________________________________________________________________

_David S. Evans/Andrei Hagiu/Richard Schmalensee____Invisible Engines: How Software Platforms Drive Innovation and Transform Industries

[The MIT Press_2008]

Winner of the Business, Management & Accounting category in the 2006 Professional/Scholarly Publishing Annual Awards Competition presented by the Association of American Publishers, Inc.

Software platforms are the invisible engines that have created, touched, or transformed nearly every major industry for the past quarter century. They power everything from mobile phones and automobile navigation systems to search engines and web portals. They have been the source of enormous value to consumers and helped some entrepreneurs build great fortunes. And they are likely to drive change that will dwarf the business and technology revolution we have seen to this point. Invisible Engines examines the business dynamics and strategies used by firms that recognize the transformative power unleashed by this new revolution–a revolution that will change both new and old industries.

The authors argue that in order to understand the successes of software platforms, we must first understand their role as a technological meeting ground where application developers and end users converge. Apple, Microsoft, and Google, for example, charge developers little or nothing for using their platforms and make most of their money from end users; Sony PlayStation and other game consoles, by contrast, subsidize users and make more money from developers, who pay royalties for access to the code they need to write games. More applications attract more users, and more users attract more applications. And more applications and more users lead to more profits.

Invisible Engines explores this story through the lens of the companies that have mastered this platform-balancing act. It offers detailed studies of the personal computer, video game console, personal digital assistant, smart mobile phone, and digital media software platform industries, focusing on the business decisions made by industry players to drive profits and stay a step ahead of the competition. Shorter discussions of Internet-based software platforms provide an important glimpse into a future in which the way we buy, pay, watch, listen, learn, and communicate will change forever. An electronic version of this book is available under a Creative Commons license.
________________________________________________________________

_Aden Evens____Sound Ideas: Music, Machines, and Experience (Theory Out Of Bounds)

[Univ Of Minnesota Press_2005]

As people from record collectors to file swappers know, the experience of music – making it, marketing it, listening to it – relies heavily on technology. From the viola that amplifies the vibrations of a string to the CD player that turns digital bits into varying voltage, music and technology are deeply intertwined. What was gained – or lost – when compact discs replaced vinyl as the mass-market medium? What unique creative input does the musician bring to the music, and what contribution is made by the instrument? Do digital synthesizers offer unlimited range of sonic potential, or do their push-button interfaces and acoustical models lead to cookie-cutter productions? Through this interrogation of sound and technology, Aden Evens provides an acute consideration of how music becomes sensible, advancing original variations on the themes of creativity and habit, analog and digital technologies, and improvisation and repetition. Evens elegantly and forcefully dissects the paradoxes of digital culture and reveals how technology has profound implications for the phenomenology of art. Sound Ideas reinvents the philosophy of music in a way that encompasses traditional aspects of musicology, avant-garde explorations of music’s relation to noise and silence, and the consequences of digitization.